Monday, October 17, 2005

Mysteries of Mithras:

Mysteries of Mithras: the pagan belief that shaped the Christian world. By Payam Nabarz,
Inner Traditions, 2005 isbn 1594770271 $14.95 approx £14.99, 230pp, heavily illustrated.



This is an engaging and entertaining book encompassing the author _ s personal journey into the magick of a Roman mystery cult. The author, who has an Iranian background, was drawn to the schema of initiatory work, as set out in Aleister Crowley _ s Liber Astarte. The idea of this particular practice is to counteract the overly intellectual character of the western mystoi, to thereby activate a more devotional mind set. Many on this path find it useful to work in a tradition that already possesses some form of cultural resonance. It was for this reason that the author chose to work with Mithraism. This book is one of the fruits of that labour. Not surprisingly the book therefore presents a lively combination of mystical insight and academic research.


The first half of the book sets out the basics of the Mithraic history and iconography. This section is a mine of interesting information, perhaps a little breathless in delivery; only occasionally inaccurate, well illustrated and often thought provoking. It is here that the author sets out certain facts concerning the influence of Mithraism on Early Christian iconography. In reality this is a minor component of the book, although the one that the publisher, rather misleadingly in my opinion, chooses to make the book _ s chief selling point. Personally I wasn _ t too convinced by this line of reasoning. I agree that Mithraism had some impact on Christianity after its rise to Roman state religion in the third century. However I cannot see how this justifies the conclusion that it shaped the Christian world _ surely if anything, Christianity shaped the Christian world?


The book _ s real core is the revivalist material, where over several chapters, the author sets out the main components of the cult. Here it adheres as much as sources will allow, to the inner workings of the Roman cult. Thus there is a chapter on the celebrated _ Mithras Liturgy _ _ a sorcerous rite used by the mage, whose library of magical books was only discovered in the last century, after two millennia buried in the sands of the desert. Into this mix, the author adds some material from the Persian manifestation of the cult, with a chapter on the pre-Zoroastrian goddess Anahita. This does much to correct the false impression that the cult of Mithras is only for the macho.


Some of these themes continue in what is undoubtedly the core of the book, a modern reconstruction of the seven fold initiatory schema of Mithraism. Archaeological and textual records demonstrate that the cult shared the classical world _ s obsession with the symbolism of the number seven _ seven stars in the starry plough, seven steps to heaven, seven Hathos etc., etc. Perhaps we shouldn _ t be surprised that the actual details of a mystery cult are now lost to us. So the author uses whatever is to hand, grafting material from classical and Persian sources, and indeed where necessary reusing contemporary magical material, until the result is a pleasing revivalist version. I sometimes found it a little hard to see the join. Also, although the material works well as a literary fugue, I wasn _ t sure how it would pan out as an actual set of ritual workings? The rubric was a tad confusing. But I for one was happy to just read it as a literary creation - which is indeed a form of trance or meditation work. Anything else and I wouldn _ t be sure if I was supposed to be breaking off from the train of thought, to put more wood on the bonfire. Seen this way, this book did take me on an interesting and thoughtful excursion into the uncharted territory. - [mogg]

Saturday, October 01, 2005

The Ninth Arch by Kenneth Grant

‘a rush of mephitic air from the unsealed depths’

Kenneth Grant, The Ninth Arch (Starfire Publishing 02) £30
available from www.mandrake.uk.net

‘Can you in good conscience recommend "The Ninth Arch" to someone who is only familiar with some of the early work of Grant? That is, is the new book comprehensible to a neophyte of Grant's work or should I resume investigation elsewhere in his canon, in the improbable event that copies can be found? I've read "AC and the Hidden God" and part of "The Magical Revival".’


Umm good question. I regard myself as a child of the first trilogy, Cults of the Shadow, Magical Revival and Aleister Crowley and the Hidden God. I never really expected the second trilogy to even appear – Nightside of Eden, Outside the Circles of Time and Hecate’s Fountain; and I never even looked at the third trilogy, Outer Gateways, The Mauve Zone and now the Ninth Arch. So perhaps I am a bit of a guinea pig and give it a go. I was surprised how intriguing the Ninth Arch can be. I found it, to use KG’s own words ‘a rush of mephitic air from the unsealed depths’, a ‘Kamsin blast.’ truly something different in a word of publishing mediocrity.

‘The Ninth Arch is an ancient Masonic concept relating to the legend of the three Grand Masters engaged upon the erection of King Solomon’s Temples. After it was completed, the three deposited therein those things which were important to the craft, such as the arc of the covenant, a pot of manna, the rod of Aaron, the book of the law etc.’ Inscribed about it was the lost or unutterable Word.’ The purpose of Grant’s book is to explain this mystery and reveal the word.

The heart of Grant’s book is a 924 verse Book of the Spider, a mystical text channelled to Grants New-Isis Lodge in the 1950s. Around this sutra, Grant weaves almost six hundred pages of comment, mainly in the form of mini essays. It sounds an unpromising structure but it really works and is well suited to the lucid dreamers or to use Grant’s parlance, the inhabitants of the mauve zone to whom this books is addressed. Having no acquaintance with Grant’s earlier work might actually make this book even more evocative. There were some very obscure sections that would only really make sense if I totally entered into Grant’s system, but there were many comments that seemed to throw light on almost any style of magick.

After all it is the books central thesis that something out there is trying to tell us something using a whole variety of mediums and modes of communication. Crowley, he tells us, ‘with prophetic acumen [ ] presaged the massive interest in alien phenomena which erupted soon after his death and which was caused by Kenneth Arnold’s ‘flying saucer’ sighting [in 1947]. Whatever one’s attitude to such phenomena – positive, negative or indifferent – there is no just denial of the fact that the wave initiated an era of psychomythology unparalleled since man conceived the idea of the ‘gods’…. unless, therefore, we are to write off the entire ‘myth’ as an unprecedented mass delusion, we have to accept the fact that something approaching a seemingly new and inexplicable nature began slowly and insidiously to disturb the world in the year 1947.’. (p xix)

Acting on the assumptions that ‘Many a true word spoken in jest’; ‘the ‘ritualists of the New Isis Lodge utilized certain novels and stories as other magicians might use paintings or musical compositions to effect perichoresis and astral encounters’ xxxvi. Apart from the usually occult litany, H P Lovecraft, Algernon Blackwood et al Grant primary source is Richard Marsh’s novel The Beetle which contains the only published account known [to Grant] of the Children of Isis who emerge in the channelled text in rather startling form.

I haven’t read Marsh’s novel but guess that Grant’s reworking of it is likely to be far more evocative. Really Grant’s books are a new artform what I have in the past called ‘auto-romance’. I picked it up near the end of the day, not expecting a factual hit, although there are some fascinating facts here somewhere – but more as a collective grimoire. I take a little snort and am then primed to enter the mauve zone. Here’s a little taster.

The oracle
31-2 below the tunnels of the spider hanging athwart the network of alleys choked in the mud, the sand of the Mokkatam hills …

The comment
The spider is here symbolic of the web of alleys that existed at the time Crowley received from Aiwass “The threefold book of the Law”, not far distant from the Mokkatam hills. This verse sets the scene for a series of events concerning the Children of Isis, of whose activities a fragmentary account was given in fictional form by Richard March writing in the 1890s. It is assumed that he was oblivious of the actuality of the events he described. It may not be so easy to assume that he was not an indirect descendant of that Obed Marsh of who Lovecraft writes in The Shadow over Innsmouth. It is also not impossible that he was related to Dr. Phineas March Black, a great uncle of the present commentator. Details of Dr. Black’s mysterious life are given in Against the Light, which contains much information relevant to this Book OKBISh. Note that the present verse constitutes verse Thirty-One of the Books as a whole.’


Kenneth Grant’s numerology may be suspect, his historical sources unreliable, but his poetical intuition is strangely prescient. I may not want to be part of the only true order but I can’t help admiring his eclecticism, his culture, his generosity towards other artists and writers. So this book is not be quite the triumphal arch many were hoping for to top out the edifice of previous books, but it is a final act from a highly creative magician and writer who has done more than any other living adept to explicate Crowley’s magical universe and to initiate us all into some very sinister mysteries.

Thursday, September 15, 2005

The Bull of Ombos (share your feedback)

Hello Mogg,

Many thanks. Received your books today. Always interested in the deep & wide-ranging work you present.Although I have great respect for your viewpoint, I have reservations about the "central role" that is being given to Seth by yourself & some other authorities. Of course, this is the revival of an ancient argument - within the multi-dimentional world of the ancient Egyptian's belief-systems there was much paradox & contradiction, all of which to our modern & more dogmatic age is still somewhat inexplicable - therefore your viewpoint is quite acceptable, as are others, such as Ptah as the Heart & Tongue of the Gods , or of Neith, Weaving the Universe. If later Egyptian history could be discounted & the psychological importance of Horus as the Pharaonic paradigm could be set aside, then the very importance of the "Sethian Fire" being cast in the role of Shadow & Enemy could perhaps be discounted. Yet who are we to be able to do this? These Neters or divine personas all play their part in a great Cosmic Drama. Thanks for sharing your ideas with us & forgive these words, if they seem critical, for this was not my intention. The subtlety of ancient Egyptian thought which has been my life's study, is all I seek to affirm. - JS


Dear JS - its refreshing to get some feedback - there is always an element of distortion whenever one takes a point of view - i'm not really meaning to minimise the role of the other gods - merely to discuss Seth - who is a little neglected - especially in relation to magick -and in the process to throw a light upon some unusual aspects of his cult - even in ancient Egypt there must have been those who were out of step with the main thrust of Egyptian religion if only because, by accident of birth, or whatever - they find themselves custodians of the cult shrines of that god.

Yes I agree Egyptian thought is not one monolithic whole - there are several trends - I’ve been reading jeremy naydler's new book 'shamanism and the pyramid texts' where he tackles the vexed question of the invisibility of any supposed 'Egyptian wisdom' or 'mystery'. He is criticising, from the perspective of phenomenology of religion, those specialists who say the Egyptians were practical people - not given to introspection - where all this religion stuff is shunted off for some time after death -

In my book I discuss the way in which ‘the dead’ are ‘used’ for the benefit of living. And I wonder whether this might not be further support for the Naydler’s thesis concerning an Egyptian mystery cult – in that it shows how the living think and use magick to benefit their own lives, whilst still living and how this involves a transaction with the dead and the ancestors.

Friday, September 09, 2005

Magical Art Manifesto

[Label on the outside of a bottle. Sealed inside this bottle was a piece of aged papyrus. After great difficulty the text was deciphered and is transcribed below. Where the manuscript was shielded from the sun, the original red ink was still plainly visible
text inside bottle
Manifesto of the Magical Artist
When we first started out on this project the language was prim-evil. Midnight is now. [...]

Every spirit has its age and every age has its spirit.
Every beginning is a beginning.
Time for another one.

Art, always the spirit of its age, be open. [. . .]

[. . .] We live for one hundred and twenty years.

OK scrub that - maybe its not making sense. Ask yourself why do pagans and liberatarians have an instinctive affinity? What is it about modern musick that drives those, who listen to it, closer to their pagan roots? Should the members of your tribe be blood relatives? What intelligent person thinks that the family is the pinnacle of social evolution? How about 'love, well made, leads to liberation'?

Maybe you are an artist with a pagan heart?




Text Ends



--------------------------------------------------------------------------------

The Interpretation or commentary
Maybe its time to rewrite the surrealist manifestos, as the surrealists in turn rewrote those of the rosicrucians. Art and magick need a new statement of intent. As magical artists we can take as a starting point, any random or found object that comes our way. Thus the importance of the fragmentary statement found in an imaginary bottle. Its seems to be a fragment of a conversation, perhaps between the magi, discussing their own history and the need for a new beginning. There are parallels here with the writing of history. History is a creative act - history has even being called the selection or creation of facts. This is not to deny that such and such an event actually happened at some point in the past. But the number of forgotten events outweighs those that have escaped the ravages of time. The survival of a 'fact' from the past is a fortuitous or magical event in itself. Magi call these things 'apports', surrealists call them 'found objects' and in connnection with them talked of the 'certainty of accident'.

Magical artists are fond of reconstructing the past. You may ask why. Maybe it is because the past provides us with a font of found object, through which we can construct something new. Everyone assumes art is creation out of a vacuum. Some of the greatest works of art have been excerises in rule-governed creativity. The painter of the Sistine chapel may have been surprised when the Pope gave him a list of rules that should be observed in his work - size, number and overall nature of the composition.

The art of the European renaissance, besides being based on pagan principles, was catalysed by 'found objects' - classical sculpture emerging in the back gardens of the rich and famous. The earth has revitalised them, stripping them of their patina, so that they were an illusion of the past. These 'found objects' formed the basis of a new pagan art of the renaissance. The process has been repeated, so that 'objects' seen in theosphical trance become the working stuff of abstract art. The biggest found object of the last two hundred years is the remergence of Egyptian art from the sands of the desert where it had been exiled by the evil Roman emporer Theodosius after the closure of all the temples of Egypt. The early christians hacked away the faces of the gods so that their magick would be turned back, then they systematically looted the temples, burning 'worthless' paper and forgetting the rest in the desert. Egypt will not be with us for much longer and will soon retreat in a feint memory.

For the magical artist, creativity is not mererly the construction of something new but the revealing or uncovering of something already latent in the world, perhaps something secret or hidden. For example when you look up at the clouds and see pictures or faces, you may be bringing to conscious manifestation what is already there. Crowley, when discussing the Devil card from his tarot, spoke of the twin gaze of the artist, one eye creating a universe and the other accepting all that is created.

Art is what artists do. That is to say that the definition of art can only be found in the activity of artists, who are, in a way, like shamans. A shamanic artist like Picasso produced images and metaphors that were new and unfamilar. People said it did not look like the real thing. His reply was that we would come to see it in the way he had described it - his vision would transform ours. To go with this process you need a lot of faith in the integrity of the artist and one part of this is knowledge that he or she has gone through some sort of 'initiatory process', only then can we trust their vision. Perhaps this is what is meant by the well known phrase 'drawing is the integrity of art'.

What is the new artform of the Magical Artist
Something tells me this will be 'auro-romance'; which is defined in the surrealist dictionary as 'the artist entering into the mythology of his or her creation. An early example is to be found in the work of the Marquis de Sade (q.v.), although the principles of auto-romantic art are being redefined in the post-relativist scientific era.'


V.T.Felix

. . . to be continued

---------







Glossary of terms, in group magical artists and, as yet, unused literary apports 'Always astonish' Gurdjieff. 'A preposterous exordium.' Dadaji PEOPLE ARE FREE TO BE FAMILY WITH WHOEVER & WHEREVER THEY ARE, And YES! Of course the time is now, when else would it be? Hey, I LOVE J Jennie asks 'do you think the meaning of the new feminism is the power of hysteria? Science is not cheating. Madness is a spiritual state. All attachments become idolatrous. Trust bed stroke touch let go moult shine sting dream

Sunday, August 21, 2005

Mogg's Diary - 1 July 05 . . .

25th August 05
Talking Stick at the much improved local hostelry - the Port Mahon. The discussion on power animals and animal spirit guides. Which brought to mind how several friends had their first contact with 'power' animals in rather traumatic ways. I remember how Chesca said she was once thrown from her horse and trampled, but from then on, the horse was always a special presence in her magical universe. Another friend, Dwina, was once repeatedly bitten by a venomous spider. She woke from a lucid arachnid dream just in time to prevent further bites. I remembered one of those seminal dreams when I was pursued night after night by a large wolf-like or alsatian canid. It only stopped when I turned and confronted the beast - letting it do its worst. Consummed by the dog, there was always a part of me that could not be eaten - which brings to mind the lines from the Bhagavad Gita - that the transcendental Self cannot be killed.


23 August 05 - Pagan Animal Rights

Judith writes, having recently moved to Carcassonne, France, and rather upset to discover that bullfighting is still practiced locally, despite the fact that in August 2001 it was outlawed in Carcassonne as there was no proof that this blood sport had ever been in existence in the area. But somehow the promoters, aided by the Spanish Mayor got their way. Since that date three days in August of every year have been set aside for the killing of bulls!

She is calling upon one and all to help halt the next round of bullfights (Corrida) in Carcassonne, France. And with this in mind constructed a sigil to help provide a focus for those who want to see an end to this brutal practice. The dates we need to concentrate on are the following:-

Friday 26 August
Saturday 27 August
Sunday 28 August

Please forward to others. - May Set be with you.'

[There's a sigil to go with this which i will try to display here]

http://groups.yahoo.com/group/OxfordPaganCircle/files/Set%20Sigil%20Aug2005.pps




18 August 05 - Pope attacks Neopaganism
'And in the twentieth century, in the darkest period of German and European history, an insane racist ideology, born of neo-paganism, gave rise to the attempt, planned and systematically carried out by the regime, to exterminate European Jewry. ' Pope Benedict, Cologne

It is worth emphasizing that people of many religions, including magicians and occultists, were arrayed on both sides of the conflict, probably more with the allies than the fascist. It is an important issue that IMO needs careful discussion - several occult authors have, in a way, made similar claims.
See for example Hitler and the Age of Horus or Morning of the Magicians. It is probably one of the most important issues facing the neo-pagan movement and the new Pope is very clever to have found that weakness. Personally I see this as all the more reason to engage with 'blood and soil' runesters - and indeed 'satanists', even 'theosophists' and those who promulgate the so-called 'western way' - engage so that they see the error of their ways. This is not to concede the argument to the catholic church - of course it is a smokescreen – fascism is an economic system developed from capitalism - the 'occult' elements are overplayed - more a symptom than the cause. Some would argue that anti-semitism stems as much from the Christian message, others have seen it as even older, coming from events in ancient Egypt. There is a danger that those who aspire to lead the pagan movement - will have a poor understanding of the issues. For a very informed historical background I recommend goodriche clarke's occult roots of fascism. I'v also posted on this blog an old essay, Fascism and the Occult, that discusses some of the history in more depth

BTW: If you don't think it is still a live issues take a look at this passage, reputedly from an interview with Edred Thorson.

'Stephen Flowers and the Third Reich
mc> Can you say a little more - the quote you give below is IMHO a bit ambiguous. What does Flowers mean by 'the Third Reich's dynamism got out of hand' -it sound as if he saying that the third Reich had some positive qualities, at least
when starting out. I could never accept that proposition.

Of course the Third Reich had some positive qualities when first starting out -- every social system does, since it's almost impossible for mankind to invent any system which is 100% evil. If there weren't *some* positive qualities to the Third Reich, it never would have gotten the power it had.

The Third Reich offered a sense of pride to a people that had been trampled into the mud during World War I and insulted terribly and treated like mud in the aftermath of that war.

The Third Reich offered a vitality and a sense of hope to a people who had lost such vision.

The Third Reich, or more specifically those people leading and pushing the Third Reich, used horribly wrong methods to gain more power than they otherwise would have had, and they used horribly wrong methods to maintain that power once they had it.

It reminds me somewhat of the Republican Party in the U.S.A. If you look hard enough, you can find some positive qualities in their stated goals of scaling back the federal government, in reversing the moral/ethical decay of modern society, of reducing federal spending, etc. Unfortunately they've hitched their horse to a wagon which has so many negative qualities (belief that morals can come only from
Christian religions seems to be one of them) that it sometimes looks like we're going to have to fight long and hard here to prevent the U.S.A. from becoming yet another Reich.'

end of quote



17th August 05
JD asked me to write up the previous meeting on 'Time' even though i wasn't there - not sure I’m up to it really apart from to say that according to Immanuel Kant, Space and Time are both human abstract concepts - or as i understand it they are human mental concepts that we use to order our world - they have no existence apart from us as human beings. Space and Time were concepts personified in Egyptian wisdom - which rather undermines the idea that the Egyptians were incapable of abstract thought.

Last night we discussed Oxfordshire’s very own 'Blair witch'
i.e. wittenham clumps - a site occupied for millennia and
therefore a happy hunting ground for the odd disembodied Ka spirit. It has several classic ghostly phenomena - the spectral coach and horses - racing down the 'high street' at midnight as a warning of impending catastrophe (I wonder if anyone has seen it recently/). A white lady or goddess who appears near the lake and was exorcised by a whole bunch priests in times of yore. And yes - the clumps were one of the resting places of Bran's head on its journey to London - a spectral raven has been seen hovering over the ditch - and this is said to be the location of buried treasure! In the Green Stone saga, Andy Collins and pals discovers one of the 'lights of knowledge' there (Yesod). Wittenham Clumps is certainly a very spirited place, especially the woods between the clumps and the river.


14th August 05

Bath Omphalos to hear Anton Channing’s thoughtful exploration of six key concepts within alchemy viz: the caduceus, the auroborus, the cosmic egg, the spiral, alchemical trinities, and the hermaphrodite. Nice crowd, including people from Friends of the Witchcraft museum. Things slightly overshadowed by a rather bitchy ad hominem attack in the reviews pages of the Cauldron; aimed at the author of Witcha: a book of cunning, and the OGDOS newsletter (Hem Neter). The target is his article on ‘Cain: the first Satanist’. Informed criticism is no bad thing. Dialectics, is, afterall, a science that emerged within the ancient pagan intellectual tradition. However, it is difficult to answer a critic who is convinced you are wrong but can’t say why.


With The Bull of Ombos now at the printers, and Pan’s Road with a reader, I find myself at a loose end. I plan to start work on the final part of my ‘sethian’ trilogy’ in a few months. In the ‘House of Life’ a book on Çatalhöyük caught my eye. It turned out to be a whole new thread that has led me to a rich vein of Neolithic culture that shares many features with the people of Ombos.

The first 1960s excavation has become a cultural phenomenon. The excavation, restarted in the 1990s, the publication of the new finds, with analysis, is due soon. In the meantime, all sorts of snippets are trickling out via the campaign’s website. The latest, just a few days ago, is the discovery of a beautifully made stamp seal that for the first time, reveals the full identity of one of Çatalhöyük’s most famous, and controversial ‘goddesses’. Turns out to be a bear. A beast is every bit as significant to Neolithic magick as the Red Ochre Bull. Bull and Bear are both ‘Sethian’ animals. The bull was associated in Egyptian astronomy with the constellation known later by the Greeks as Ursa Major – ‘The Great Bear’. At Çatalhöyük the Bear ‘rides’ upon the ‘bull’ – which is an image to conjure with, or maybe meditate upon.


According to the press release, the above-mentioned stamp seals were probably used to stamp designs on skin or clothing. This example shows an animal with its front and hind legs raised upwards. Such figures have been known from Çatalhöyük for some time as plaster reliefs on the walls of houses. An example excavated by James Mellaart is shown in Figure 2. These plaster reliefs have often been interpreted as ‘mother goddess’ figures. But the heads and hands of the plaster relief examples have always been cut off, so it was never possible to say whether the figures were humans or not. But now the stamp seal provides a key. Here the head and the hind paws remain. They clearly show that the figure is an animal, probably a bear. So it is probable that the reliefs with upraised arms and legs are not goddesses but bears. Depicting animals, such as leopards, in houses is common at Çatalhöyük, and so it is not surprising that we should find a bear.

For more information visit:

http://catal.arch.cam.ac.uk/catal/index.html


5th August - Hiroshima Day
The topic of last night's 'talking stick' moot down the pub, was the Pagan response to current world events. Contrary to what G Fukiyama wrote in his book, 'The End of History' - it's not all over but the shouting. The issue he thought a dead one is our relationship to Islam. For me this is as a pagan. Perhaps the answer is to say we're all muslims really - we're certainly not 'unbelievers' - we pagans are definately believers - some even share the concept of AL & LA (see Crowley, Liber Al vel Legis). The same discussion came up in another forum - and what I wrote there may also be of interest:

Seems like there is a difference between ‘Muslims’ considered as a historic/cultural people – - presumably a community of people who emerged in about the 6-7th century. The ups and down of those people, and indeed whether they still exist, is a moot point, that can be separated from ‘Muslim’ considered as a religious ideal. This could mean that a ‘Muslim’ is anyone who regards themselves as ‘one of the peaceful’. Of course, like any religion, there are centres of doctrinal authority and more dogmatic manifestations of the ideal. As in many other religions, Hinduism, Buddhism etc, the body of primary and secondary texts tends to grow through time – but the essence is the mantra like ‘There is no god but Allah’ – ‘there is no God but the principle of divinity itself’ – who could object to that?

At that point, someone remembered a telling parable from the life of the prophet –
Every morning, whenever he went out to teach, he found his doorstep littered with rubbish, thrown there, so it is said, by a lady of another faith. This went on for some time, years maybe. Then one day, there was no rubbish anymore. The prophet asked why and was told the culprit was ill. So, being a wise and kindly soul, he went round to see her, took her a present, helped to nurse her back to health. Why, she asked, did you help me, when I was your enemy? Because, he says, one should always respond to ‘evil’ with kindness’. Now there’s a thing you don’t hear everyday?

1 August 05 'Lammas Day'
That well known pagan chant can be heard in many a newly mown meadow - 'lammas day is the devil's day' - well not quite. Although someone in the Bath omphalos group did suggest that this was the beginning of the 'Sethian' year - an idea that does has something going for it. The myth of John Barleycorn springs to mind - sung beautifully at last night's ritual by Sharron. Who is JB but another form of the ancient god of the harvest - Osiris - here cut down, dismembered and baked into the lammas loaf - all washed down with beer, the product of fermented bread - died with red ochre - the bloodlike 'desert' of the gods?

31 July 05
There is talk of doing even more work on a local urban cemetary to convert it from a vandalised wasteland to a nature reserve. But having begun to read Ken Worpole's Last Landscapes: the architecture of the Cemetery in the West, I see it from a different point of view. He argues that turning this graveyard into another nature reserve is not necessarily the way to ensure a valued future. People value a space like that when they have some of their own relatives and friends buried there. A space full of the names from a hundred years ago has very little meaning to the current generation. In Europe, they have many fine cemeteries, much loved by the local families that use them. In UK our cemeteries are full, and often neglected and vandalised. The difference is that Europeans allow reuse of the same plot after a decent interval, the bones are re-interred in a charnel house. In UK graves are sold in perpetuity. It might seem counter-intuitive, but the way to revitalise our urban cemeteries is to adopt the European model. Otherwise we are forced, if only by reason of cost, to opt for the ecologically damaging option of cremation - and our once loved cemeteries are places of neglect.
A version of this was published in the Oxford Mail 4:8:05)

30 July 05 - 'The means determines the end'
Is it maybe time for us to devise arguments to counter the fundamentalists but from the more tolerant 'pagan' perspective? One lesson might be that using violent means to achieve some sort of 'Islamic' utopia of social justice - will fail - such efforts usually do. Polical violence is a like the djinn or a genii in a bottle - once used, it's difficult to know when to stop.


25th July 05 - 'When Your Guru Goes Gaga'
I forget the exact date of my initiation into amookos but it was some time in the early 1980s. It was at about the same time as I was being expelled from Kenneth Grant's Typhonian OTO - indeed my membership of amookos was a factor in that whole affair but that’s another story. Sometime in the summer of 1989 a fat envelope dropped on the mat. Amongst its enclosures was the following communication from Dadaji, the last guru of the tiny sect of Tantrik magi that I had joined some years earlier. What I read, with sinking heart, gave me an acute sense of déjà vu:

'Guru Purnima, Tuesday, 18th July 89
THE SPLENDOUR OF THE BRIGHT SHINING
(A Corrective to Corruption) etc etc'

Had my guru gone gaga? Either that or he had turned into a total arsehole like every other guru before him. Certainly over the recent years he had suffered a series of strokes the most obvious symptom of which was his current inability to write cursively (you can see examples of this on ION’s website). There were also several glaring errors of fact in the letters he sent. The immediate one concerning Lokanath, was the possible accusation of a treacherous conventional marriage by conventional Christian based ceremony. Lokanath had in fact married in 1978, just after his return from meeting Dadaji for the first time in India. It was no secret. Indeed contrary to what Dadaji says the nath traditon is very diverse and has often included married householders. Perhaps Dadaji resented it at the time but said nothing for the ten years of highly productive work. He finally snapped in 1998, a few years before his death. The full truth will probably never be known.

When i wrote this, circa June 2004, I was in the middle of an exchange of emails with Kapilnath (John Pilskog) the editor of Open Door and the person who ‘benefited’ most from Dadaji’s volte face. Once upon a time I had the ultra leftist type opposition to marriage but nowadays I must say it doesn’t seem that important an issue. But the fact was that Mike had married way back in 1978 and so it was hardly a recent revelation? When Mike returned from his fateful first meeting with Dadaji in the early part of 1978, he resolved to marry his longtime partner Jan, thus putting his affairs in order. I remember he said how lonely he had been during is stay in India, and that obviously influenced his decision. Perhaps when he wrote to Dadaji and told him what he’d done, he had inadvertently infringed one of Dadaji’s own taboos?? Even so the work continued , AMOOKOS was born and began a fitful, painfully slow growth.

Another issue was whether members of AMOOKOS could claim to be Adi-Naths. The problem started with the original charter, written in Dadaji’s own inimicable style. Whatever the ambiguity of the wording, noone claimed to be an Adinatha sannyasi. The documentary evidence shows that Lokanath certainly made no such claim. In fact, he stated that ‘when my dear Gurudev Mahendranath initiated DC in India in Spring 1978, we decided to transform the tradition into an international and cosmopolitan order. This is in line with the Adinatha tradition of old, who always sought true spiritual values and repudiated the artificial.’(Azoth: 13, Spring 1981). Towards the end of his life perhaps Dadaji did regret the ambiguous wording of the original charter, and, as he had done with the Uttara Kaulas, found it easier to pretend the whole thing had never happened.

It was about 1981 that I made contact with Lokanath, after buying a copy of his celebrated occult fanzine Sothis. Lokanath was an influential member of the UK's growing occult scene of the 1970s, and next in line to be head of the typhonian OTO. What I learnt of Dadaji was from his excellent articles in Sothis magazine. In an important sense - Dadaji and amookos were guru each to each.It represented a new covenant which aimed to transcend the past’s inadequate magical organisations. A switch from the dominant ‘masonic’ model to a more freeform ‘rosicrucian’ mode. When Dadaji went gaga he forgot all this. But whatever these are the bare facts. It was never going to be clear cut. Perhaps it is a good thing that there is confusion right from the very beginning


postscript: well now i've received a communication from a Nath from another lineage -
so perhaps the order blown apart by its own guru will come together - watch this space.




24th July 05 - 'Mystical Vampire' in Independent on Sunday.

Mystical Vampire is the new and only biography of Victorian Theosophist, Mabel Collins. The Independent is really proving its name by publishing Gary Lackman's humourous and informative review of Kim Farnell's biographical efforts. Judging by the review, which takes up three quarters of the page. I love some of the bullets - viz: 'Mabel Collins - a writer who knew what upper-class ladies really did with their lap dogs'; 'Theosophists? I take them two at a time' or 'Kim Farnell has done devotees of gaslight a service.' Gary obviously enjoyed reading it?


22 July 05

'The Day of Rams'
This week, the faceless members of a Pagan Federation 'committee' decide to cancel its national conference, because London was getting too dangerous. They say they were prompted in their action by the withdrawal of three speakers and two stall holders. So at a time when the whole country is discovering a new stoicism in the face of concerted terror - one slightly moribund pagan organisation has decided to bottle out. So all that talk of 'never again the burning times' was just talk. They heard on the radio that the muslims want to get the pagans - and that is it - they crumble. I feel deeply ashamed and upset that this organisation - which I've supported for many years - has whimped out. It must the one the final acts of non-leadership in the last declining years of what was once a good idea.



PS: silly syncronicity - at exactly the time the second lot of bombs were due to go off - the plug shorted out in my room - and one of the computers went down. People near the failed bombers said they could smell burning electrical cables. I only mention that because since 7th July the amount of spam I get has dropped off from 400-500 a day to almost none - not sure why - ghost in the machine perhaps??



17th July 05

A book about magick in the review section of the Independent on Sunday - not Harry Potter - but Now That's What I Call Chaos Magick by Julian Vayne and Greg Humphries, from my own firm - Mandrake of Oxford. Reviews of books from the actual practitioners of magick are rare, but becoming more common. They are usually dismissed by review's editors as either 'genre' or just too 'left field' for their gentle readers. So a third of a page in the reviews section makes me feel very happy. And I really like this book - for me it has the final word on the significance of the neo-pagan art of 'chaos magick'. Gary Lachman's informed and intelligent review, traces the roots of Chaos Magick, to Eliphas Levi's 19th century redaction of magick to its real essence - 'will and imagination' or in Gary's own words 'Free your mind - and your spells will follow.' Independent on Sunday (ABC magazine 17:7:5)

15 July 05

Another very hot day in London. Kym and I are there for the launch of Kim Farnell's biography of Mabel Collins - Mystical Vampire. Mabel, a theosophist, despite her interesting life, or should it be lives, has languished without one. Known outside of Theosophical circles as the 'mistress' of Robert Donston Stephenson - one of the suspects in the infamous 'Jack the Ripper' murders of 1888.

Despite the heat, and the aftermath of the July 7th bombings - there was a reasonably showing. The was still much talk of Islamic fundamentalism - which seems to be becoming more rabid than its Christian cousin. IMO it is that whole 'choosen people' thing - that's the heart of the matter. What the world needs now is a bit of pagan style tolerance and pluralism.



10 July, year 05

A very hot day at Kensal Green Cemetary Open Day. Shame that the WW2 veteran's event was cancelled due to security concerns from the police. Now is the time for us to be strong - as the 500K people at the main commemoration in the Mall demonstrated - I guess. This year took the tour of General & Military graves - included the 'common' or 'pauper's plot' also know as the 'guinea' graves - many of the obligatory military funerals were put in this plot! But there again, what does it matter - the whole story of Kensal Green, is really just a variation on the theme of human vanity afterall.

1 July, year 05

The Connaught Hotel, Drury Lane, right next door to Freemasons Hall - and incidentally it is owned by the craft. I was there to do my 'talking head' bit for a forthcoming BBC4 documentary about Dennis Wheatley - 'prince of thriller writers'. DW is well known to the community through eight 'black magic' thrillers - the first of which, The Devil Rides Out, written in 1934, is still regarded as a minor modern classic. Despite a massive peak of sales, running at 500K per year in the 1960s, all of DW's books are currently out of print. Book Club Associates plan to reprint half a dozen of the occult books later this year. Despite the total lack of political correctness, DW stills has a nostalgic attraction to the many fans of 1960s 'crap books' - everyone i've told about the show has said they now want to get a copy and revisit those glamourous 'satanists'. My line was, although things have moved on - DW did still hold some sort of mirror to the magic of his times, albeit one that was a very twisted and distorted.

Saturday, August 20, 2005

Fascism and the Occult

Fascism and the Occult
by Katon Shual & Shanti Devi Nath

First Published in Nuit Isis Magazine Voo I no 7 (circa 1989)

1- Politics and the Occult:
An Overview
It cannot have escaped many people's notice that this year marks an important anniversary of the most savage war in human history. It is therefore timely to add our own postscript to the history of the period with an examination of the role magick played in this second world war and the subsequent progress, if such it may be termed, of the ideas that did so much to tip humanity into the abyss: Adoph Hitler. Many now want to drawn attention to the connection between extremist politics and the occult. The prime example is the alleged connection between occultism and reactionary, rightwing politics. The usual example was the "mystical" racial myths of the Nazis or the secret manipulation of power wielded by Freemasons. However it can be easily demonstrated that there is no necessary connection between occultism and any particular political stance: right wing or left. Occult or mystical views can constitute a powerful ideological component of any political or social movement. Furthermore a roughly equal number of both progressive and reactionary movements have drawn upon such ideas. Four examples reflect this rough balance: Fascism - Psychological warfare and the New Order Freemasonry and Civic power Voodoo and the world the slaves made Witchcraft and the Land.

However for the purposes of this article we will confirm ourselves to a detailed examination of the first of these and leave it to future issues and perhaps other writers to examine the other three. In the first part we look at the argument that Fascism was some kind of New Age Magical Crusade.

"The modern mythology of Nazi Occultism, is typically sensational and under-researched. A complete ignorance of the primary sources is common to most authors and inaccuracies and wild claims are repeated by each new-comer until an abundant literature exists, based on wholely spurious "facts" concerning the powerful Thule Society/ the Nazi links with the East and Hitler's occult initiation. "(I)

This issue aside, it is additionally sometimes claimed that Fascist ideas were iconoclastic and even a radical project in deconditioning! I hope we will help dispel this dangerous and obscene theory once and for all. For it is indeed an obscenity that the ideas of people so inimical to everything Magick stands for, should still be bandied about by those who should know better, judging by their self proclaimed initiation.

1. Fascism: Psychological Warfare
What follows is necessarily restricted to the study of fascism in Germany. During the Second World War, both the Allied and Axis powers resorted to psychological warfare. NB: occultists were to be found on both sides of the conflict. This included the use of faked horoscopes and prophesies designed to weaken the enemy's resolve. This particular practice began on the German side for the following reason. From about 1920 onwards there had been a remarkable revival of interest in astrology in Germany. Ellic Howe says in his book that a "surprisingly large number of Germans, including many well-educated men and women, began to study astrology in the early 1920s. The reason for this sudden pre-occupation with the hitherto unfashionable, even mildly disreputable area, is not difficult to discover. The aftermath of military defeat, with all its problems and uncertainties, including a runaway currency inflation that was only brought under control at the end of 1923, persuaded many to look to the "stars" for information and portents of better times to come. Before 1914 the comparatively few German astrologers were mostly Theosophists and occultists or both. They regarded astrology as an essentially Hermetic science. However, a large proportion of the newcomers were interested in neither Theosophy, its offspring Anthroposophy nor traditional occultism and preferred to think of astrology as a science in its own right, which given time and the breakdown of traditional prejudice, would be widely accepted as such."(2)

During the Second World War, the Allied Secret Service became convinced that Hitler and his cronies were benefiting from the advice of a professional astrologer. In response to this they employed their own "tame" astrologer, Louis de Wohl, on the basis that knowledge of the kind of advice Hitler was getting, would be a useful piece of intelligence. The Secret Service eventually produced a number of faked horoscopes and predictions that were then infiltrated into Nazi Germany. One example is a faked edition of the prestigious German astrological magazine Zenit, which made certain unfortunate predictions about Hitler.(3)

It is difficult to assess the amount of credence the Nazis actually gave to the astrological and other advice they undoubtedly received. For instance, Hitler's private secretary (1933-45) wrote that "There were popular rumours that Hitler allowed himself to be guided by astrologers before reaching any important decision. I must confess that I never noticed anything of the kind and the subject was never mentioned in conversation. On the contrary, Hitler refuted this by his firmly held conviction that people born on the same day, at the same place and at the same hour, in no way had the same fate. For this point of view he thought that twins provided the best evidence. He always vigorously denied the proposition that the fate of individuals depends upon their stars or constellation. Nevertheless, the prediction made by a Munich fortune-teller (Frau Ebertin) in the very first years of his struggle for power had greatly impressed him. It seemed that here predictions had fulfilled themselves in every respect. But Hitler only spoke very ironically about this coincidence and considered the whole thing as a joke". (4) There are some other reports that show that Hitler's attitude may have changed in the desperate twilight of the Third Reich.(5)

However, the Nazis were undoubtedly aware of the propaganda value of astrological and other predictions. On the eve of Germany's invasion of Poland in August 1939, Dr Goebbels, the Minister of Propaganda, was shown an interpretation of one of the prophecies of Nostradame. It "read":
"Seven times you will see the British nation change, dyed in blood for two hundred and ninety years. Not at all free through German support, Aries fears for the protectorate of Poland".(6)
The interpretation offered said that the seventh of the changes would occur in 1939 - a critical state of affairs in Poland at the same time as Britain faces a great crisis connected with Germany. Goebbels grasped immediately the possibilities for propaganda inherent in prophesies such as these and he resolved to obtain the services of an expert in order to "extract" further prophecies concerning Britain.

The man he got hold of was none other than Karl E Kraft, who as it happened had already been working in a department of Himmler's Reichssich-erheitshauptamf (RSHA) or Intelligence service, for some months. Kraft was just about the most skilled astrologer in Germany at that time, as well as an expert on Nostradame. In October 1939 he miraculously predicted an assassination attempt on Hitler's life - it was this rather dangerous prediction that first brought him to the Nazis' attention. Most of the professional bodies of astrology had been thoroughly Nazified by about 1934. Ie, Jews expelled and Nazis moved into leading positions. This would not be enough to "protect" them from Government oppression and astrology and all other occult activity were completely banned in 1941. Kraft was an enthusiastic supporter of Hitler and willingly offered his services to the RSHA. He soon produced a new edition of the Prophecies of Nostradame, although it never got more than limited circulation. The Nazis were very intolerant of the circulation of rumours other than their own. The fact is that Kraft really believed in his techniques and failed to be as pliant in the production of myths as the RSHA demanded. He was placed in protective custody in 1941 and employed in the calculation of horoscopes of various Allied notables, horoscopes destined for propaganda purposes. He died of the effects of typhus en route to Buchenwald concentration camp on January 20th 1945.

Few professional astrologers or known occultists escaped his fate. Thousands were rounded-up after the "defection" of Rudolf Hess in May 1941. However, for every astrologer or occultist arrested, dozens escaped unscathed and continued an underground interest in Hitler's destiny.


2. Fascism Iconoclasm?
Was fascism about the smashing of idols? Did it signify a new and revolutionary political force? Many apologists for fascism claim that it was. Including Hitler himself, of course: "Die National-sozialistische Revolution ist als revolutionaerer Machmassiger Vorgang abgeschlossen!...Das neruose Zeitalter des 19. Jahrhunderts hat bei uns endgultig seinen Abschluss gefunden" implies a two-fold attack on the Communists, claiming that National Socialism was in fact revolutionary in its aims and also was the inevitable culmination of the events of the nineteenth century.
In view of our present knowledge of the horrors of the Nazi holocaust, it seems difficult to understand any reason why this supposedly "revolutionary" force should appeal. Perhaps one reason could be a feeling of disillusionment with liberal democracy, parliamentary committees and majority votes, a sharing of the anti-intellectual and anti-bourgeois tone of Mein Kampf, a belief that with Bismarck, decisions should be made "not by majority votes in national assemblies but by blood and iron". But it can be shown that Hitler's "national socialism" can hardly be seen as a revolutionary and certainly not a desirable alternative.

For one thing, it is difficult to see much revolution taking place, despite the Nazi rhetoric. In theory a revolution should change the fundamental structure of the society. The Nazis certainly made grand gestures, such as the Winterhiife, the Hitler Jugend for boys of all backgrounds and the much-vaunted "peoples' car" (Volkswagen). But did it really herald a decrease in the power of the current ruling classes? The top tax rate increased by a massive 0.8% to 38.2% (even less than the top rate under Thatcher) under the Nazis, although the income of the wealthiest increased by 148% from 1933-9. The concentration of capital in 1939 was also greater than in 1933, and there was more inequality in income and property. The rich East Elbe estates were still in the hands of the gentry and the army still under the command of generals whose names began with the German nobility title "von". As for being a workers' movement, organised labour under the Nazis became a thing of the past; in 1933 the Trades Unions were dissolved and replaced by the Labour Front, a Nazi organisation. Finally, the fate of women in Nazi Germany is not exactly desirable. Marriage loan schemes, pressure to have increasingly large numbers of children while Eva-Braun like "maidens" are scarcely appealing as role models.

It is obvious that the Nazi revolutionary rhetoric is no more sincere than Hitler's other propaganda: for instance his claim in 1930 that he had nothing against "good Jews". Alongside this is the sheer banality of everyday life in the Third Reich. Germany's most gifted writers - Thomas and Heinrich Mann, Bertholt Brecht - exiled abroad, sexual repression and the anti-feminist tone of the Nazi rule. Fascism can hardly be called iconoclastic.


3,The New Order Cultus
One of the best selling books of the sixties alleges that the second World War was an ideological struggle between Humanism and Magick. This book: Pauwels and Bergier, The Morning of the Magicians, has recently been reprinted and there are several clones including Francis King's Satan and. the Swastika; Gerald Suster, Hitler and the Age of Horus. There is even a genre of fiction, assuming that the former books are intended as non-fiction, beginning with for example Dennis Wheatley's They Used Dark Forces.

The story goes that the top Nazi leaders were all members of a secret esoteric group called the Thule Society. The myth of Thule is very much a German equivalent of the Atlantis myth. The Society was supposed to have been founded sometime in the early decades of the twentieth century by Hitler's mentor Dietrich Eckardt. It included amongst its members the seven founder-members of the NSDAP or Nazi Party. Karl Haushofer was its Grand Master and chose the swastika symbol for the flag.

The "unknown superiors" of the Thule Society are supposedly the secret directors of the Third Reich. However this assertion and other details are entirely fallacious. The Thule Society was dissolved around 1925 when support had dwindled. (7) Nevertheless, there are several characteristics of the Nazi regime that can make it appear like a parody of a "holy" order.

Take, for instance, the Nazi flag. This was designed by Hitler himself. In his book Mem Kampf he devotes a whole chapter to a discussion of its symbolism. Hitler's unconscious capacity for self-parody is fully revealed in this book along with a lot else. A serious book it is not, although subsequent events show how disastrous it can be to underestimate the possibility of a cosmic joke. Concerning the design of the Nazi flag, he says that "As National Socialists we see our programme in our flag. In Red we see the social idea of the movement, in White the nationalist idea, in the Swastika, the mission of the struggle for victory of the Aryan man, and by the same token, the victory of the idea of creative work, which as such always has and always will be anti-Semitic"'.(8)

It must be fairly common knowledge that the "swastika" is an ancient Indian religious symbol, probably solar in significance. The term "swastika" is in fact a Sanskrit word from swasti meaning success. It is also a reference to the distillation of the divine psychotropic drug soma, a key component of the religion of the Vedic Aryans. In Indian iconography this mystic hooked cross usually has its hooks bent around to the left so that the whole emblem rotates in a clockwise direction, the direction of the earth's rotation. Thus early Buddhist stupa temples were laid out on such a swastika ground plan. Significantly the Nazi's iconographers reversed the usual direction so that it rotates anti-clockwise, the direction of the Hermetic cross, as drawn by members of the Golden Dawn.(9) Astrologers have long adopted the convention of charting their calculation "back to front" as it were. Thus the eastern horizon appears on the right-hand side of the page and the western on the right. If one bears in mind the comments I made earlier about the popularity of astrology in Germany from the 1920s on, then the reason for the inversion is manifest and not as sinister as it appears. Whatever inherent meaning once possessed by this symbol, the Nazis managed to destroy it as a benign symbol. Rudyard Kipling had it removed from the covers of his books of Indian stories, which it had previously graced. Kipling was of course a pacifist, his jingoism destroyed by the death of a beloved son in the First world war.

Hitler does not mention where he derived the swastika symbol, but it was probably from the principal "philosopher" of the Nazi party - Alfred Rosenberg. Rosenberg's eight-hundred page epic The Myth of the Twentieth Century was only outsold by Hitler's Mein Kampf and it was the main source of the Nazis' absurd racial theories. This book has a large section dealing with Hindu/ Aryan history. In this Rosenberg attributes the foundation of the civilization of ancient India, with its caste system to Aryans who flowed over the mountains from the northwest. They contrasted their own light complexion with those of their dark-brown subject races. These Aryans, so he says, created the philosophy of the Vedas and the Upanishads. Eventually, so the theory goes, race mixture destroyed the basis of their doctrine and Aryan mysticism was corrupted by systems of magic and sacrifice. Thus the swastika on the Nazi flag was a symbol of racial purity and also an evocation of their supposed racial spirit.

An examination of the Nazi "cult" would be incomplete without some mention of the SS or Defence Staff (Schutz Staff). They were molded by Heinrich Himmler into a grotesque parody of medieval Teutonic knighthood. They were selected on rigorous "racial" and physical grounds and wore special uniforms. The SS badge was soon metamorphosed into a double lightening flash in imitation of ancient runic characters: Sig Sig: The Sun/Victory. One writer describes their initiation as:

"a mystic rigmarole of his "sworn fellowship" before counterfeit bones of King Henry I, founder of medieval German power in the East. All this taking place at midnight in the crypt of a local cathedral''(10)

All the pomp and circumstances cannot hide the fact that the SS were little more than concentration camp guards. The first camps were organized in 1933, almost immediately after the Nazis came to power. Their first inmates were communists or people labeled as communists. Himmler's deputy, Heydich, who was no mystic "but a ruthless careerist" took over the administration of them. One bizarre feature they retained throughout was the almost "masonic" system of prisoners' badges, later extended outside the camps by Heydich. The eighteen or so categories of prisoners were identified by a complicated system of interlocking triangles of various colours - Yellow for Jewish prisoners. Red for political. Pink for homosexuals, brown for gypsies, and Mauve for Jehova's Witnesses etc.

The relationship between the Third Reich and the Occult emerges from this as something rather superficial. The Nazis were no more magical than the clients of a successful advertising agency. It is surely telling that General J F C Fuller, one time disciple of Aleister Crowley. as well expert on Tank warfare, eventually rejected Hitler's brand of mystical blitzkrieg. Torn between the Devil and the Deep Blue Sea, his patriotism eventually got the better of him.

(C) Mandrake of Oxford

Notes:
(1) N Goodrich CIark, The Occult Roots of Fascism, (Aquarian Press ) pp 225.
(2) Ellic Howe, Astrology and Psychological Warfare during World War II (Rider 1972) page 21.
(3) E. Howe op cit
(4) H Trevor Roper, Hitler's Table Talk 1941-44, (1953) page 76
(5) H Trevor -Roper, The Last Days of Hitler
(6) The Prophesies of Nostradamus. III.57. Translated by Cheetam
(7) Goodriche Clarke, op cit page 221.
(8) As quoted by Wilhelm Reich, The Mass Psychology of Fascism (Condor 1972).
(9) RG Torrens, The Secret Rituals of the Golden Dawn.
(10) Eugen Kogen, The Theory and Practice of Hell. (Secker and Warberg 1950) page 17.

Monday, June 27, 2005

Stonehenge 2005

Just got back from a Paul and Charlotte's handfasting in Cornwall - before that - solstice at Stonehenge, which seemed a lot more mellow this year - fewer belligerent drunks - a more spiritual atmosphere - for me there are always obstacles on the way - two closed roads (one by a narrowly missed car pile-up, the other bridge repairs), police roadblocks etc - it seems part of the journey now. For many years when Stonehenge was closed to the public - OGDOS sought sanctuary at Avebury. When we first went there, it was pretty quiet - but over the years its grown in popularity - so nowadays - if you want to spend solstice at Avebury - you have to commit to it. For old time's sake, we try to stop at Avebury for a drink on route - but those days are gone now -

We drove on past the police road barricades towards Stonehenge - just outside Shrewton, the road was totally closed (shades of paranoia) - we parked up near a traveller van, to study the map for another route - screams and shouts from within the van - so we moved off quickly - the road twisting and turning, then it cleared and we were there.

A few hours R&R, then out for walkabout - 2am - plenty of time till dawn - we went through yet another police checkpoint - before being let onto the path they wanted us to follow, straight down to the henge. But we had other plans - out of sight we wheeled left down a footpath, that leads across fields and roads, until it comes to the end of the mysterious 'cursus', as it pokes its nose through the Fargo plantation. First we must cross an overgrown style - the other side of which is parked a minibus full of police! They look at us but move very slowly in our direction - all is silence - we keep walking - and before the police can get their act together, we are across the road, over a second style and disappearing into
the darkness. Paul is muttering a quiet prayer to keep us safe - but somehow I know we are meant to get through.

And indeed, after much scrambling about in the pitch black of the woods - barbwire and brambles - - hunting for the path - we stumble out under the stars. I mention this - because is you ever do come along to one of these ad hoc quests - you are quite likely to get lost. So back to the cursus - which we had completely to ourselves - the stars were shining above us - not the clearest of nights but good enough. We draw down the plough - to remember the hidden god - before meandering down in the peaceful deserted plain - back to the floodlite henge - whose generous curves, are more than able to absorb upwards of 21K people.

We did our little ritual at the little 'fairy tree', much loved during the free festivals of the 1980s. But now we have to hide again - as an official looking pickup comes up the trail - perhaps the police radioed ahead and they are looking for us - if so - can't think why?? But we gave them the slip in the darkness - blending back into the crowds just at the final checkpoint - then into the melee of the henge - to greet Ra, Seth's father, on his birthday. 'More horns' - that was my thought as I wind my horn to the most magnificent solstice dawn - among all those people - there were only two of us playing - music is a most acceptable offering to Ra at dawn - and works well with the festival atmosphere - so hope to see a few more from this list next time?

love and do what you will

mogg


PS: next chance for a meet is at the Omphalos moot in July and September -
if you're holidaying in bath area why not try to come along
- see mandrake speaks for details.

Monday, June 13, 2005

Rise of the 'Zines

It's a sure sign that we are experiencing renewed growth of interest in things occultural when a whole bunch of new fanzines suddenly emerge from the shadows. Back in the 1980s there were dozens of fanzines - ranging from our own Nuit Isis, to Lightning Flash and Chaos International - most now ceased publication. But just recently a number of new 'zines have landed in my lair. The poshest is the very fine Strange Attractor - which has no title anywhere on the front cover but neverthless has a fine selection of extended forteana - Tim d'Arch Smith on Montague Summer, the Marquis de Sade and the British Society for the Study of Sex Psychology, and another informative offering from Justin Woodman on H P Lovecraft. My favourite is Lost Wax - Blackpool's Passed Attraction. This is an illustrated exploration of the famous wax works - now sadly closed. A very long time ago - when I was a teenager - I went to Blackpool along with a whole! charabanc full of the folk in my street. Sooner or later we were drawn into the waxworks - and I was much intrigued by the 'adults only' section - which despite my youthful appearance, the attendant seemed to want us to see. Reputed to be a real anatomical museum full of medical curiousities and the horrible final acts of diseases such as syphilis, unchecked by the modern pharmacopoeia. Viewing such a museum at an impressionable age is one of those privileged moments - so I was pleased to see it preserved in text - I do hope the models are in storage and not melted down for candle wax.

Talking still of fanzines - at the other end of the scale - is Oracle Occult Magazine - a coated A4 very like Chaos International, but with a catholic range of material - aiming to bridge the gap between magick and witchcraft. Articles are well written ranging from Archaic Witchcraft, Voodoo, to Freemasonry - all interspersed with some intelligent and detailed reviews - as well as more occultural stuff such as Steven Ashe's article on Picasso. So all in all, a welcome addition - and worth supporting at £3.50 (£21 for first six issues - which it is planned to issue annually - which might be a bit optimistic.)

For details of both these publications visit:www.oracleoccult.com (actually Mandrake.uk.net also has some stock) andwww.strangeattractor.co.uk

Oh yes while I'm at it - have a another very witchy magazine called Dragonswood - which although very much in the Pentacle/Pagan Dawn type genre has a few surprises and is edited by some very cool dudes from Peterborough - worthy of support from www.dragonswood.org.uk

Smallest of the lot - but still packing a punch is the latest edition of Hem Neter - newsletter of the Oxford Golden Dawn Occult Society - available for a modest £2 from trisburden@hotmail.com (paypal available)

Well that's your holiday reading sorted - have fun - mogg

Sunday, June 12, 2005

Triumph of the Moon - 5 years on (review)

I’ve been rereading Ronald Hutton’s Triumph of the Moon, a masterful history of pagan witchcraft, published in 1999. It’s maybe inevitable that a book that covers such a huge spectrum of ideas is bound to suffer from the criticism of individual specialists. For example I would dispute the idea that after 1902, the poet Yeats’ ‘religious ideas reappear only in fragmentary form, embedded thereafter in his later poetry and plays’ (Hutton 1999: 157). I would say that Yeats’ greatest religious and magical revelation comes after his marriage to George Hyde Lees in 1918 with his vision for the phases of the moon. The influence of these ideas about the moon on the contemporary magical scene is something overlooked until quite recently.

But I refuse to fault-judge Professor Hutton’s book given that the overall thrust is so provocative in the best possible sense. There were several themes that particularly stuck in my mind.

Firstly the positive effect of the transference of pagan witchcraft to USA from whence it returned politically refreshed. It’s so easy for the little Englander view of witchcraft to overshadow the novel contributions of our American friends. Hutton shines the spotlight on the latent conservatism of the UK magical world (for an earlier expose see my own book Sexual Magick.) I too remember as a breath of fresh air the words coming from American witch poets such as Robin Morgan. In the 1980s I helped form a group inspired by Starhawk’s groundbreaking Spiral dance. It was then by no means taken for granted that other pagans would share our anti the bomb agenda. The conversion of modern pagans and magicians to these causes was something that had to be worked for – via organisations such as Pagans Against Nukes, the Greenham Women and the Stonehenge free festival, all causes strangely absent from the lips of Professor Hutton’s informants.

Many felt that Tanya Luhrmann’s infamous study of the uk magical scene was itself flawed by its restriction to a very narrow and conservative bunch of magicos, as well as her outright refusal to meet with any representatives of occultism’s new wave. Many linked this with ‘her apparent dismissal of their practices as founded on delusion. Perhaps that’s unfair but then as Ronald points out ‘The feeling of the latter were to some extent enhanced by Luhrmann’s own return to United States as soon as her project was complete, her entry into the academic profession assured and her subsequent lack of any obvious interest in Paganism or magic. (Hutton 1999: 376) It is a feature of the book that Hutton is as hard on fellow academics as he is sympathetic to the magical practitioner.

Professor Hutton levels some very telling criticism of the internecine strife that has been a feature pagan witchcraft since its very beginning. The often-termed ‘bitchcraft’ hardly waned, even when during the 1980s ‘satanic child abuse panic’ when the stakes were very high indeed. Whilst not a complete stranger to wiccan circles, I was at the time firmly within the magical fold. I remember feeling much got at by the intemperate outbursts from wiccans, ‘great and good’. They seemed to be fuelling the press views witch hunt against ‘black’ practitioners. Ronald’s book has at least helped me to get that in perspective. These attacks were not aimed at occultists but at other rival wiccan priests and priestesses! Whether the press saw it that way is another story. In Oxford a local Christian wannabee attempted to get our speaker meetings banned from council property and the ‘oh so liberal’ Bishop of Oxford (still in post), stopped our path working group using the local community centre.

Personally I wonder whether the abusive and bitchy nature of many covens is perhaps linked to the unhealthy influence of the fourth way philosophy of Gurdjieff or indeed the worst excesses of some of Aleister Crowley’s training regimes?

There is a common misconception that Professor Hutton has somehow undermined the basis of pagan witchcraft. I didn’t really get that impression, if anything he has cleared a space in which it can thrive. If anything his work reminds me of the kind of approach taken by the late Andrew Chumbley, whose credentials are anything but undermined by this book. I once asked Andrew about all these claims to a lineage older than the 1940s emergence of Wicca and he replied that although initiated by traditional witches with a long pedigree they didn’t actually know very much. It was still down to him and his colleagues to reinvent or flesh out the tradition.

Likewise on the topic of the goddess, the learned professor’s position is really a form of enlightened agnosticism –

‘The effect [of the ‘Murrayite’ fall from grace] upon professional pre-historians was to make most return, quietly and without controversy to that careful agnosticism as to the nature of the ancient religion which most has preserved since the 1940s. There had been no disproof of the veneration of a Great Goddess, only a demonstration that the evidence concerned admitted of alternative explanations.’ (Hutton: 1999: 282)

Which does not mean that goddesses were not worshipped in prehistoric times or that none of them achieved to greatness. For example Isis; who may not be a prehistoric goddess but is certainly the first to go global. Ronald Hutton’s book is a reminder that a god or goddess wants you to encounter them as they truly are and not as a mere cipher with which to work out your frustration or bitterness about the way your life is going just now.

'In Our Time' - BBC R4 - Alchemy (Comment)

'In Our Time' offers such promise but rarely delivers.
The discussion on Alchemy (22.2.5) being a case in point.
The programme's two major faults are ethnocentricity and snobbery.
Ethnocentric because it rarely ventures east of Suez; snobbishness because it hardly ever steps outside the academy. Hence in a discussion on Alchemy there is no mention of its probable origin in South Asian philosophy of the body, 'Ayurvedic' medicine and the important discipline of plant alchemy.

Intellectual snobbery means that the views of expert 'practitioners' are rarely if ever heard - even when it becomes obvious that the so-called experts don't really have a very good grasp of the topic - or worse have merely jumped on a bandwagon set in motion by independent scholars.

Melvin Bragg, I'm a fan of the show but does it have to be this way?

Liber T: Tarot of Stars Eternal (review)

Liber T: Tarot of Stars Eternal (review)
by Roberto Negrini, artwork by Andrea Serio
review by Mogg Morgan

Liber T is a new rendering of the famous Crowley/Harris Tarot deck into what some might say is a more contemporary mode. The person who first drew my attention to the deck - assumed, perhaps rightly, that the pun on liberty was another blow in the 'fightback' against the current corporate copyright holders of Crowley / Harris deck. It is said that it can be difficult to gain the appropriate permissions to reproduce images from the old deck and there are rumours that those who have managed to do so have lived to regret the experience. How much of this is true - i dunno - but such are the rumours that go round bookfairs. Redrawing an image is one way to circumvent any existing copyrights - and the result is often quite pleasing - as in this case the colours seem fresher. The style is distinctly stellar.

Overall this is a nice deck, and the artwork is of very high quality. The deck claims to sponsored by the OTOA - which according to the rather informative page of Albion Lodge of the (Caliphate?) stands for 'Ordo Templis Orientis Antiquas [whose] history . . based upon suggestive charters and few documentations about its historical facts. [Let's not forget that there were times when even Crowley mislaid the odd certificate!] In spite of this its egregoric power and dynamic has proved to be resistant to falling into sleep and forgetfulness. By this fact one can at least assume that the line is capable of a certain power. In a letter to Peter Koenig, Bertiaux said the following: "Whether or not the Jean-Maine lineage was linked to the OTO of Reuss probably can't be ever proven" (Bertiaux, letter dated 4 April 1990). So from this let us proceed in the history of an order that started in the same place as all other OTO bodies with Theodor Reuss.'

I garnered a lot of information on the deck from Diane Wilkes review for the http://www.tarotpassages.com/liber-t.htm principally that: the subtitle of the deck (Tarot of Stars Eternal) hints to the impetus behind this deck; the revisions to the Minors are based on the Decans, also known as the 36 Symbolic Constellations of the Egyptian Star Cult, the SIBU SEPESU (Eternal Stars). Negrini's sources of inspiration include Liber Hermetis of the Corpus Hermeticum, Indian (Vedic) astrology, Picatrix, and the writings of Agrippa and Bruno. The deck is intended for ritual use, based on the spread/ritual provided in the Little White Booklet (LWB).' There is also a useful table setting out the differences in keyword between the Crowley / Harris and Liber T. So probably a deck for those caught up in the OTOA trajectory, but may also be of interest to any lover of the Tarot. - mogg

Friday, June 10, 2005

The Works of Michael Aquino

Until 1996, Michael Aquino was the founding High Priest of the Temple of Set; before that one of the illuminati of the Church of Satan. I've just been reading two new monumental ebooks published by Michael Aquino and, remarkably for such extensive works, are available free of charge. http://www.xeper.org/maquino.The setanic groupings are viewed from a critical distance by most LHP magicians. One informed commentator recented wrote to me: 'that the isolationist 'black brother' approach is flawed, . . . the TOS seem to equate the LHP with this position and that the aim of magick is to become an isolated, inviolate self.' I'd add that I think any truly sethian magical organisation would be more rosicrucian than old style 'masonic'. The TOS say they are closer in spirit to Crowley's AA, and although that involves the wellknown sequence of 'masonic-type' grades, they still see in this a valid magical structure. And, it has to be said, they do not charge for initiation. Even so, the Temple of Set and before them, the Church of Satan stumbled onto a mythos which is uniquely relevant to modern magick and for that they deserve credit and indeed respect. I haven't read either book through yet (one is 1000 pages of detailed research with over 50 photographs) but whatever the possible bias i! t's sure to be crucial reading for anyone who really wants to understand the magick of this important emerging archetype. - [mogg]

Thursday, June 09, 2005

Stonehenge: Celebration and Subversion (review)

Andy Worthington, Alternative Albion 2004 Isbn 1872883761, 14.95pounds
(the book is available from mandrake, plus a few independentbookshops as well as AMAZON. But as is often the case you probably won't find it in one of the corporate bookstores)

'This innovative social history looks in detail at how the summer solstice celebrations at Stonehenge have brought together different aspects of British counter-culture to make the monument a 'living temple' and an icon of alternative Britain'

And indeed everything you could want to know about the stones from the Druid revival in the 18th century, Gerard Gardner's celebration of the 1951 repeal of the Witchcraft Act (complete with bagpipes), to the events of the Beanfield in 1985 (that's twenty years ago this year folks). The counter culture didn't end that day but rather it mutated into the Rave Party scene, the Road's protest and Neo-paganism. It's poised and ready under the banner of the Save Stonehenge Campaign to respond to government's latest scheme to run a dual carriageway just west of the circle.

They say history is written by the winners, and in this instance there are many who wish to claim the victory. As a pagan I was surprised to sense the animus among anarchists et al, against what they call ' uniformed druid hierarchy' (see Frazer Clark's Parallel Youniversity UP!223). How could it be that the druids are seen by many as the enemy of the counter culture? Surely it was not always so? Well read this book and you learn a little how a 'small section of the druids' (and indeed the pagan) movement appeared at times to support the establishment's attempts to ban free festivals and make access to sacred sites for a small self promoting elite only. But this isn't the whole story - these people are expert self publicists and in the absence of accurate information they managed for a time to monopolise the truth about places like Stonehenge. As Andy says:

Not all Druids are 'a bunch of middle class accountants and dentists'. The Druids at Stonehenge come in many forms. These include:

- The Ancient Druid Order, who may well fit your bill these days, but
who were the original agitators for solstice access after the first fence was
raised around Stonehenge in 1901.

- The Order of Bards, Ovates and Druids, founded in 1964 after a schism
in the Ancient Druid Order, who abandoned Stonehenge on a point of principle
after members of the public were prevented by the authorities from attending the
solstice in the early 1960s. the original donor having stipulated full public
access.

- A number of newer Orders, whose founders were part of the Stonehenge
Free Festivals' vast congregation, and who campaigned for open access to
Stonehenge after the festival was brutally suppressed at the Battle of the
Beanfield in 1985, >> which i always refer to as the Beanfield Massacre a
more accurate description, despite how half a dozen hardened mushy & special
brew nuts might have told it in the pub that night :)

- Arthur Pendragon's Loyal Arthurian Warband, the Secular Order and the
Glastonbury Order.


That's why Andy's book is so important - it sets the record straight and arms the reader with all that facts they need to counteract lies and prepare for what is to come. The truth is that the pagan / new age movement and the free festival scene are intimated connected, always were and will be again. The editors of the recent Channel Four 'Banned in the UK' would have done better had they read Andy's book. How else could they have failed to recognise the connection between the UK government's ban on Acid house and 'repetitive beats' with the earlier assault on the Free Festival scene including that at Stonehenge. Perhaps it needs someone like Andy to document all this and as Professor Hutton points out, he does such a thorough job it's likely to remain the standard history for a very long time to come. See you at Stonehenge.

Mogg
PS: to see my pictures from the 1999 'Return to the Stones' go to: http://homepages.tesco.net/~mogg.morgan/solstice.htm

Sunday, June 05, 2005

'Concentration Camp Guard' vs 'Jobsworth' (comment)

Johann Hari thinks that

'human rights abuses commited by Jews provoke far more rage
across the world than human rights abuses committed by any other group'
(Independent 23.2.5).

Which is an odd way of seeing things. If it were true then surely Israel would have been bombed and invaded by now? I guess that Israel gets away with a lot because of European guilt about the holocaust. From a Middle East perspective this latitude seems unfair given the fact that that particular piece of genocide had nothing to do with Arabs and yet they have to pick up the bill. Surely it should be the Germans who are expelled from their land to make way for the new state of Israel - its the least they could do - an outrageous suggestion I know - but it seems ok when those asked to pay have brown skins and live far away.

Ken Livingstone's remark may be a bit OTT but lets remember that 'concentration camp guard' is a common figure of speech - signifying those who are basically just doing a job without worrying too much about those on the receiving end. It's a stronger version of 'jobsworth' - sometimes you have to sting people if you want them to wake up to the fact that whats good for their career is trampling on my head

Saturday, June 04, 2005

Exorcism! C4 (25.2.5)

Well maybe not - after the big build-up - the spooky credits, dry ice and discordant musick, the stentorian tones of the presenter, author, so my informant tells me of several best selling 'self help' titles. Krisnan Guru Murti - strained and came forth . . . with a gnat. C4 late night exorcism was a bit of a damp squib. If you're going to scan someone's brain better make sure they got one.

Krisnan struggled to extract some blood out of the panel of stone faced talking heads - many of them sporting dog-collars or the earnest look of the recently delivered. It was definitely a case where the advert was more interesting than the product.

After all the recent publicity concerning the so-called god spot - one wonders if that theory is going to go the way of that other G? Take some fundamentalist Christians, with a few other Abrahamic types for 'balance' - then a willing subject - although this one found it hard to conceal the fact that he had rehearsed - well more than that actually - this was not his first exorcism - or 'deliverance' to use the nice new term suggested by the COE PR department. Our subject turns out to be well known to the exorcist - well his friend actually - having been exorcised for something or other most weekends at his local church - this week is was a nice gentle demon called 'paranoia' which duly upped and left at the first mention of 'the mighty name of Jesus'. Lest we forget that JC was first and foremost an exorcist. Thank your lucky stars it wasn't a more intractable 'demon' like 'homosexuality' or sparks really might have flown. Come to think of it might have been more interesti! ng.

Those clever scientists had to work very hard indeed to find anything significant in those brain waves - other than the kind of changes that might occur possibly during meditation or even - dare I say it - the kind of changes in brain chemistry that might occur if someone touches you in a kindly way on the chest. (mogg)

Sunday, February 06, 2005

Sickert and the Ripper Crimes

Sunday, February 06, 2005


A letter rejected by The Guardian newspaper - oh well better luck next time. Although a small publisher's lot is not a happy one. Your work can be ignored as 'genre' but when the self same ideas are picked up by a corporate author it suddenly becomes mainstream:


In his review of Sturgis/Walter Sickert: A Life (29.01.05) - Jad Adams makes the mistaken claim that the theory concerning Sickert's obsession with the infamous crimes is from Patricia Cornwell via Joseph Gorman (Sickert) - it is not. If anything the theory was first laid out in Jean Overton Fuller's 'Sickert and the Ripper Crimes', published by Mandrake in 1990! Mandrake is a small independent press which may account for this strange lacunae in Adams's and indeed Sturgis's research. Jean Overton Fuller is a national treasure and the basis of her strange book is the rumours amongst Sickert's artistic contemporaries. For example Florence Pash, friend of Jean's mother, was Sickerts business partner. Hints concerning Sickert's obsessive behaviour are dotted throughtout the earlier biographies. And who, ten years ago, was prepared to even admit that Sickert had created a painting called 'Jack the Ripper's Bedroom'?

Patricia Cornwell's book is a welcome entry to the debate - although due to the author's high profile, not to mention corporate clout - it has monopolised a great deal of the publicity. Cornwell did make a great deal of Sickert's assumed impotence. Accounts of Sickerts midlife philandering do undermine that contention - it certainly warrants another look. But the idea that Sickert couldn't have done it because he was 'abroad for _most_ of the _summer_ of 1888' leaves me wondering whether someone is not protesting his innocence a little too much. The first murder was in august, then the killing went on into the autumn of 1888, not the summer. Sickert was in Dieppe, abroad but still only a few hours away. Even if the Dieppe season were to be extended to the autumn, this is hardly a firm alibi is it?

Of course it leaves open the whole question of whether brainy people ever commit murder? You mean could someone like Caravaggio ever be on the run for murder and could it be reflected in his art?

Mogg Morgan


a comment:
LT said...
Thank you for this post. I just finished reading a new edition of Fuller's book in which she deals with Cornwell. To me Cornwell comes dangerously close to plagiarism because of the "evidence" and "deductions" she came up with that happen to be in Fuller's book of 10 years before. Whatever the merit of the theory, Cornwell has lost a lot of respect and credibility both for producing a shoddy book and not acknowledging her sources completely.

10:13 AM

Saturday, February 05, 2005

The Smugness of Mainstream Authors

Jim Crace's 'The Secrets of My Success' (Guardian review 05.02.05)
has been running round in my mind all week. A few tips would be nice, like don't sign up for those proof reading courses - but apart from the idea that a little local colour makes up for zero research - eg in the desert one 'sleeps
like a donkey'. After that the article became an overlong if truish journey through the guy's own personal slush pile.

Crace, a 'modesty successful author' is blissfully unaware of the institutionalised corruption that helped make his name - whether he approves or not. I hate that - when those who have caught (or is it bought) the media ear - then turn round and criticise others who would like their own bite of the cherry. Like oh so radical Will Self, slagging off the internet - well yes - he doesn't need that type of publicity - so why he rants would anyone else? But maybe things are changing - journalists so love to build something up then tear it down. James Naughtie this morning (8.2.5) interviewing two rival publishers of hotel guides, one who charges for an entry, the other (The Good Hotel Guide) that does its own research. Icebergs and tips spring to mind. Or memories of a tourist board recommended guesthouse in Dorset where we were treated to an endless description of how nice the breakfast would have been had the dining room been open. And where the landlord started banging on our door from nine am sunday morning to make sure we knew we had to vacate by ten - yes we did know that. Businesses like that have to pay 'bribes' or they never get on.

Can it really be true that when you ask your friend or cousin to read your unpublished books ' . . . they will pretend they loved it or they will
affect amused indifference if your success would be threatening.' Umm, methinks another grain of truth there - friends can be jealous of each other's success? I've heard that a few times recently - maybe it was Gore Vidal who said that nothing was more pleasing than seeing great piles of your best friend's latest book in the remainder dealer's shop. - Mandrake

Tuesday, January 25, 2005

21st Century Grail / Andrew Collins (Review)

21st Century Grail or JC's Eggcup?

I've been reading Andy Collins' latest - a rather lucid account of the modern day quest for the grail. In it Andy returns with some panache to the old psychic questing stomping ground - part psychic part literary detective. All across the English speaking world there are those who still believe that the King James Version of the Bible was actually translated by God himself. To those same people, the idea that 'Jesus was not divine, he was married to Mary Magdalen and had a child with her, his bloodline survived in France and the Holy Grail was not a chalice but a woman is a bit of a revelation. Hence the success of the tale's many retellings, including the multimillion copy best seller,"The Da Vinci Code". It makes for a good novel but as magical history it covers too vast a range of times and cultures for my taste - the papering over of the cracks a little too blatant. But remember the Surrealist golden rule - 'people prefer the preposterous.'

Andy's take on this differs slightly in that he also wants to write himself into the story - to be one of those questing grail knights - and why not I hear you say? Why not indeed? The first half is better than the second. The excursus into early Christian history is interesting if maybe a bit unreliable. I think there were more than one 'Mary' in the New Testament. The C4 programme Who Wrote the Bible was in a way much more enlightening where it uncovered the evidence that Mary Magdalen was probably one of the leaders of the first Christians - a fact that needed to be edited out by Constantine's Roman spin doctors. A heretical medieval sect, inspired by the 'eastern' Gospel of Mary is a real possibility.

After the promise of the first half of Andy's book most of this material is put to one side as everything moved off into the realm of farce. There are too many false trails and loose ends that don't quite get tied up.

The ideas of Aleister Crowley are given an airing but it all seems a bit unconvincing. Indeed the idea that the grail is a women not a cup ought to fit well with Crowley's cult of Babalon and Oriental Templarism. But Andy seems to prefer artefact to the reality of magick. At what should be the climax of the quest, there is a blinding flash of light but nothing thereafter. Enter Graham Philips, one of Andy's many friends who back in the 1980s also wrote a 'best selling book' on the grail culminating in its discovery! Only we're now told he is depressed because power, fame and fortune didn't follow. And he now wants to destroy the precious object and is persuaded to give it to Andy so he can complete his book - maybe he will do better. Is it a good sign that members of this coterie of authors are beginning to reference each other? Or is it just another grail castle in the air?

Trouble is that the Grail, (or should it be THe GRAAAAAAAIIIIIIIIILLLLLL) is only one and half inches high - JC's Eggcup!! It impresses no-one in particular, certainly not the keeper of Roman antiquities at the British Museum. Perhaps not even the authors who are soon off on yet another quest, leading to yet another artefact - is this product placement for the next book?

Right on cue comes the following story concerning material discussed at length but inconclusively in Andy's book:


Code traced to religious sect >From correspondents in London November 26, 2004

A MYSTERIOUS carved code at a British manor house, which has defied understanding for hundreds of years, is thought to be a cryptic message from an 18th century Christian sect, experts said today.

The series of apparently random letters inscribed on a monument at the Shugborough Estate in Staffordshire, central England, were analysed for months by veterans of Britain's World War II code-breaking service.

The experts said today that a US researcher had now come up with a likely explanation for the code on the Shepherd's Monument.

The marble tablet, commissioned in 1748, features a carved image of a painting by French 17th century artist Nicolas Poussin, with the letters "D.O.U.O.S.V.A.V.V.M." underneath.

According to popular legend, the code revealed the whereabouts of the Holy Grail, in Christian teaching the cup used by Jesus to drink from at the Last Supper.

In May, managers at Shugborough decided to invite experts from the famous World War II Bletchley Park code-breaking centre, along with their modern counterparts, to tackle the code.

The experts said that the US researcher, using a mixture of normal code-breaking systems and historical context, thought the letters stood for "Jesus (As Deity) Defy", a message from the Priory of Sion.

The Priory, a mysterious organisation perennially linked by conspiracy theorists to the Holy Grail, viewed Jesus as an earthly prophet rather than a son of god.

Such a message insisting on Jesus's mortal status would have to have been put into hard-to-decipher code because it defied conventional Christian thinking, the experts said.

The new theory is buoyed by the fact that the Priory of Sion was a spiritual successor to the Knights Templar, an organisation which Poussin reputedly once headed.

The painting from which the carving is drawn, "Les Bergers d'Arcadie", is housed in Paris's Louvre Museum, and has long been subject to speculation about its supposed Masonic symbolism.

Poussin, the Knights Templar and the Priory of Sion are frequently invoked by groups convinced that the Holy Grail is at the centre of some grand mystery concerning the Roman Catholic Church. Such theories have acquired massive popular exposure through "The Da Vinci Code", a best-selling novel by US author Dan Brown which expounds the theory that Jesus had a number of descendants, a fact that was covered up by the Church.

The book has been so successful that France, where much of the action takes place, has benefitted from a mini-boom of US tourists visiting sites mentioned in the novel such as the Louvre and the church of Saint Sulpice on Paris's Left Bank.




All of the above must count as a significant synchronicity coming as it does on the tails of Andy's fascinating and very readable book. Check it out for yourself - Mogg